Charmey Paper Art – Biennale 2026

Charmey Paper Art is a juried exhibition of contemporary paper art organised every two years by the Musée de Charmey.

The 12th edition will take place from 28 June 2026 to 10 January 2027.
Opening reception: 27 June 2026

Éclat

The theme of this edition is «Éclat» (splendour).

«Éclat» can mean light, surprise, vitality, but also fragility: a shard of glass, a laugh, a piece of wood or a ray of light…
It suggests materials, reflections, textures, colours.
The word contains contradictions: it can be poetic, raw, intense or delicate.
It opens up a field of visual, sensory and emotional interpretations.

My artwork on the «Éclat» theme

Intervenciones VII

The world is experiencing turbulent times. Immigration is a daily phenomenon in our globalised and interconnected world. People are «planted» in a foreign environment with their own customs and traditions. Society is changing. Not everyone is prepared for this change.

Is it still possible to achieve a harmonious environment despite different religions, ethnic groups, political attitudes, etc.?

As I am not indifferent to this situation, I would like to use my work to show how it is still possible to create a compatible balance in which big-small, new-old, modern-antique and other familiar opposites can live side by side and even make us smile 🙂
Like the word Éclat, which can be poetic, raw, intense or delicate, I aim to show with my work the contrasts in daylife. I want to open up a whole range of visual, sensory and emotional interpretations.

This work is part of my series of collages INTERVENCIONES, which deals with the same topic.

Selected artists

From over 200 applications, the jury selected the works of 53 international artists from 15 countries.

Germany: Oksana Bergen, Petra Grupp, Alix Martin, Marina Skepner, Monika Wellnitz

Belgium: Barbara Mydlak, Irène Tytgat

Canada: Marie-Renée Otis

Chile: Maria Carolina Larrea

Denmark: Kirsten Møller Nielsen

United States: Béatrice Coron

Finland: Minnamarina Tammi

France: Elisabeth Beurret, Corinne Bourru, Margot Buffet, Philippe Cardillo, Viviane Colautti Ivanova, Henri Duffour, Elizabeth Lefranc, Laurence Lehel, Chloé Lhoir, Pauline Loctin, Florence Pinson-Ynden, Stéphanie Poincloux, Daniel-Jules Roger, Coco Téxèdre

Japan: Chikako Imaizumi, Chiaki Morita, Toshiko Watanabe

Lebanon: Liane Mathes Rabbath

Mexico: Karen Perry Rioja

Norway: Gabriella Göransson

Netherlands: Marijke Leertouwer

Poland: Małgorzata Antoszewska-Moneta, Aleksandra Pietrzak-Pieczynska

Switzerland: Sabine Josefine Balerna, Marie-Laure Beun, Ariane Blanc Quenon, Aurélie Chêne, Bettina Costa, Michèle Dal Magro, Laura De Bernardi, Françoise Jaquet, Wolfgang Kowar, Marie-Claire Meier, Marie-Laure Miazza, Laurence Portier, Carla Spadino, Gaby Studer, Senol Tatli, Alice Treier, Anne Vonlanthen, Therese Weber

Musée de Charmey – Les Charrières 1 – 1637 Charmey

VULVA fanzine – La inspiración en el Collage – Volumen II

Gender, alternative and independent magazine, distributed in Barcelona and Madrid

Art cabinet

Exhibition at Pratteln Castle

13. – 29.03.2026

Vernissage: Friday, 13.03.2026, 19h
Open to the public: 14, 15, 21, 22, 28 and 29 March 2026
from 14h to 17h, Free admission

Schloss Pratteln, Oberemattstrasse 11, 4133 Pratteln

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From software engineer to artist

Bettina Costa loves the freedom of art

Bettina Costa came to Switzerland from Argentina in 2001 and moved to Rheinfelden in 2006. The artist loves the town and believes that art plays an important role here. She created the first digital Advent calendar for the town of Rheinfelden.

Janine Tschopp — NEUE FRICKTALER ZEITUNG (Newspaper of Frick valley, Switzerland)
Freitag, 19 December 2025

RHEINFELDEN. Anyone visiting Bettina Costa in Rheinfelden is in for a treat: an immersive art experience. From simple objects, like a paintbrush artfully placed on the wall, to her very own Christmas tree adorned with small, colorful baubles. Even her most recent works are impressive in their simplicity. The artist has a fundamental love for the abstraction and the surreal collages are among her favorite creations.


What is the bear doing in Rheinfelden? Bettina Costa created the digital Advent calendar for the city of Rheinfelden as a surreal photo collage. Photo: placed at the disposal by the artist

Why a bear?
Bettina Costa created the collage, which is currently on display as a digital Advent calendar on the Rheinfelden Tourism website, where visitors to the site can open a door every day. «Why is it a bear, of all things, that rises out of the Rhine in front of the Rheinfelden skyline and clings to the oversized cinnamon sticks? In Rheinfelden, you would have expected a goat instead…», the NFZ asked the artist. And this question suits Bettina Costa perfectly. For her, art means being free. «Free from reason and logic, so that the artistic subconscious and spontaneous mood can take control.» This is how she describes her series «Surreal Collage», which includes the abstract image of the digital Advent calendar.

Art discovered early on
Bettina Costa loved drawing and painting even as a child. «Yes, I’ve always enjoyed working with my hands», she explains. She was born and raised in Argentina. Her father – from whom she inherited her talent – was a painter and worked in advertising. When Bettina Costa expressed her desire to become a painter as a teenager, he said, «How do you intend to make a living?». So she studied IT and became a software engineer. But painting and art never left her. It was over 25 years ago that she began to pursue art alongside her work.

In Switzerland since 2001
Love brought Bettina Costa to Switzerland in 2001, first to Laufen. Five years later, the couple found a home in Rheinfelden, where they quickly became happy. She soon discovered the «open studios». She was fascinated by the fact that artists opened their private doors and invited the public to gain exciting insights into their work. Shortly after arriving in Rheinfelden, she met like-minded artists from the region and travelled with them to various art exhibitions in Europe. In 2016, she took part in the cross-border juried group exhibition «Kunst lokal» for the first time. For her first participation, she focused on the famous dance of her homeland, the tango. She brought the «Vereda del Tango» – in various neighbourhoods of Buenos Aires, there are painted areas on the pavement that show the tango steps – to Switzerland for the first time and created the «Vereda del Tango» at the Kurbrunnenanlage in Rheinfelden, 11255 kilometres from Buenos Aires. Her second participation in «Kunst lokal» was based on the theme «Rheinfelden surreal» and dealt with her place of residence in a humorous way. She wanted to show striking corners of the Zähringer town, sometimes as surreal, absurd and grotesque backdrops. «The photo collages are invitations to rediscover Rheinfelden in a whole new way», says the artist.


Argentinian artist Bettina Costa has been living in Rheinfelden since 2006: «Creating things fulfils me.» Photo: Janine Tschopp

Commitment to «open studios»
Since 2001, the Cultural Office in Rheinfelden has organised the «open studios» every two years. Since artists have expressed the desire of this event to take place annually, a new organisation entity was created. Together with Gabriela Lützelschwab and Margrit Imper, Bettina Costa forms the project team that will organise the «open studios» – the largest decentralised art exhibition in the region – every year in future. «The next event will take place on 12 and 13 September 2026», says Bettina Costa happily.
When you meet Bettina Costa, it is clear that she is an artist through and through. «Art just happens», she laughs, adding: «Creating things fulfils me.» The 60-year-old recently took early retirement and can now devote herself fully to her great passion, which has fascinated her since childhood.

View original article in German

Frauen(k)leben Workshop

May 14, 2025
As part of the Frauen(k)leben exhibition at the Swiss National Library, today I had the opportunity to coach a class from the Kirchenfeld secondary school and pass on my experience about working with paper collage. It was great fun!

#swissnationallibrary #womenshistory #womenshistorymonth #collageart #museenbern #museumquartierbern

Art in the workshop

31 May – 02 June 2024

Open to the public:
Friday 19h – 22h Vernissage
Saturday 13h – 19h
Sunday 13h – 17h

Lützelschwab Holzbau AG
Hauptstrasse 1, 4313 Möhlin, Switzerland



Association Magidunum presents annual programme 2023

Magden – 28 February 2023

fricktal.info

After a successful year 2022 with two special exhibitions, the Magidunum Association is pleased to present the Dandelion Exhibition with Christine Bühler again this year in addition to the regular seasonal exhibitions in spring, summer and autumn. We will start with the spring exhibition in March.

Bettina Costa from Rheinfelden shows paintings and collages 

The following artists will present their works:

Agnes Steinle from Möhlin shows her paintings inspired by nature and everyday life, which she brings to canvas or cardboard with acrylic, ink, charcoal, pencil, pastel chalk and watercolor.

Agnes Keller from Magden combines ceramics with driftwood. She also draws her inspiration from nature. The forest and the lakeshore provide her with the material she needs for her works. Her angel figures are very well known.

Bettina Costa from Rheinfelden, who grew up in Argentina, shows paintings and collages (picture). Her originally realistic style has changed into the abstract. With the theme of tango, she shows movement, passion and music in her works.

The exhibition will take place from 10 to 26 March. On 10 March, there will be a vernissage. Opening hours: Fridays from 5 to 8 p.m. and Saturdays/Sundays from 2 to 5 p.m.

During the exhibition, the village museum is also open. The next exhibition in the Magidunum Museum Gallery will be the Dandelion Exhibition from 31 March to 2 April.